Dance Luminary Matthew Ball on Grueling Parts and Online Attention: 'I Don't Feel Protective About My Body'
In the quiet ambiance of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's posture is naturally straight-backed, his limbs muscular beneath a plain tee. During performances, ballet dancers can appear like powerful gods, yet frequently in person they are small. Not so Ball, whose height is part of his popularity for princely characters and pas de deux work. With delicate features and piercing eyes, there's a touch of a brooding actor about him.
An Apparent Rise to the Pinnacle
Now 31, Ball is experiencing the peak of a career that has advanced seamlessly. Growing up in Liverpool, he encountered little teasing for his early interest in ballet. Entering the esteemed training institution at 11, he moved straight into the company and was promoted annually, reaching the highest position of lead dancer in 2018. He has relished taking on substantial characters, particularly the psychological turmoil found in Kenneth MacMillan's ballets.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
Ball's next featured role is in a talk, in an "In Conversation" series designed to offer intimate insights into a performer's craft. He will walk the crowd through a role, demonstrating his mental workflow during execution. Even in lighter works, the challenge is profound. "Don Quixote is one of the most demanding technically," he states.
The Psychological Struggle and After the Show Emotions
What about following a performance, when he has pulled it off? "It feels pretty good," he admits. "But because I'm trying to squeeze all the juice out of it, and get lost in the character, frequently I do feel embarrassed later. Following an intense role I'm always like: Wow, what must people think?"
In person, Ball is reflective, mild-mannered, and prone to laugh at himself. But a choreographer once remarked on a "sense of suffering in him." Does this exist? "I'm quite energetic usually, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for positive change."
Formative Motivations and Creative Influences
Ball's determination originated in early experiences. Not doing well in competitions at school made him "vengeful!" This became motivation to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.
The next endeavor is creating his own dance works. In his view, "there's nothing wrong with." "Challenging the rules is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing inspiration from literature, compositions, and art.
Intimate Performance and Private Dynamic
He additionally is interested in presenting dance in more intimate venues. "It was just really thrilling," he says of a previous experience. "You’re so close to the audience. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"
Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." The couple aren’t typically paired on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s favorite supporter."
On Social Media and Bodily Image
On Instagram, fans can see clips from his dance films and images that highlight a sculpted physique. Does he care that the response can be somewhat focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he states. He compares it to viewing Michelangelo’s David—something that can be interpreted on various levels.
Ball characterizes his younger self as "eager for success." Did it met his hopes? "I am conscious of how reality is a separate reality to the aspirations you made as a young person," he reflects. He likely has another decade of performing ahead. "I guess in the future, I want to be a bit more kind with myself."